Last week I had the pleasure of introducing Inanimate Alice to the 12th Annual E-Books Conference in Edinburgh, Scotland’s ‘largest annual ebooks discussion for librarians’, a presentation which I began by pointing out that IA is not in fact an e-book, in the sense that it is not an existing product which has been digitised for reading from a screen, but that it is a born-digital, transmedia text for younger readers, combining conventional written text with images, sound and games. Incidentally, one of the amusing aspects of the conference was the ongoing discussion about whether the term ‘e-books’ should have a hyphen or not, a debate which to my knowledge has not yet been resolved! The distinction between the e-book and the digital narrative is an important one to make, not least because of the implications for the development of literacy skills, where traditionally we have focused on reading (words) or reading (pictures) as separate entities, rather than developing a proper understanding of their interconnectedness.
For those of you who have not yet met Inanimate Alice, please visit the website and explore its many possibilities for use in the classroom. If you are already an IA fan, you will be excited by the latest developments, which include a mini-series set in Australia between Episodes 1 and 2. As the first story begins, Alice has moved to Melbourne with her parents and is having to adjust to living in yet another new country. Brad – her beloved digital friend – has gone missing from her device (she thinks perhaps she left him behind in China!), and the buzzing beehive in the neighbour’s garden is making her very nervous. Has Brad disappeared for good? And will those bees escape?!
Alice in Australia introduces a young audience to whole new levels of inventiveness, with stories by award-winning writer Kate Pullinger, stunning imagery by the pioneering digital artist Chris Joseph, and the whole thing brought to life by creative developer Andy Campbell. Uniquely as far as I can tell (please correct me if I’m wrong) the series offers teachers and students the digital assets from each of the episodes, completely free, which allows them to re-create the narratives with strikingly professional results. The stories can be downloaded as comic books, with ‘words only’ allowing readers to create their own images, or as picture stories to which dialogue can be added by the student. Add in the fact that the soundtrack and sound effects are also downloadable as MP3 files, and you have a complete set of materials with which to introduce young learners to the world of digital narrative and transmedia storytelling, where the only limits are the limits of their imagination.