The Only Truth is Narrative Truth

sacks

Oliver Sacks (1933-2015)

In his essay on ‘The Fallibility of Memory‘ Oliver Sacks offers us an insight into why discussions about the importance of ‘knowledge’ in education are often superficial, and at times futile. While we debate the relative importance of skills and knowledge, we might be more productively engaged in discussing the elusive nature of knowledge itself:

‘We, as human beings, are landed with memories which have fallibilities, frailties and imperfections – but also great flexibility and creativity. Confusion over sources or indifference to them can be a paradoxical strength: if we could tag the sources of all our knowledge, we would be overwhelmed with often irrelevant information. Indifference to source allows us to assimilate what we read, what we are told, what others say, and think and write and paint, as intensely and richly as if they were primary experiences. It allows us to see and hear with other eyes and ears, to enter into other minds, to assimilate the art and science and religion of the whole culture, to enter into and contribute to the common mind, the general commonwealth of knowledge. Memory arises not only from experience but from the intercourse of many minds.’

The connection between memory and knowledge is a vital one, and Sacks seems to be suggesting that the most reliable knowledge is that which has been ‘contributed to’, a notion which would chime particularly well with the idea of ‘wiki-learning’, where everyone has a contribution to make, however small (for further reading on the use of Wikis for learning follow this link).

In discussing the fallibility of memory, and (again) on the importance of narrative, he has something important to teach us when it comes to understanding the human brain and how it records and analyses what it sees:

‘Christopher Isherwood starts “A Berlin Diary” with an extended photographic metaphor: “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”

But we deceive ourselves if we imagine that we can ever be passive, impartial observers. Every perception, every scene, is shaped by us, whether we intend it or know it, or not. We are the directors of the film we are making – but we are its subjects too: every frame, every moment, is us, is ours.’

‘There is no way by which the events of the world can be directly transmitted or recorded in our brains; they are experienced and constructed in a highly subjective way, which is different in every individual to begin with, and differently reinterpreted or reexperienced whenever they are recollected. Our only truth is narrative truth, the stories we tell each other and ourselves – the stories we continually recategorise and refine. Such subjectivity is built into the very nature of memory and follows from its basis and mechanisms in the brains we have. The wonder is that aberrations of a gross sort are relatively rare and that for the most part our memories are so solid and reliable.’

Our only truth is narrative truth. Now there is something to contemplate.

 

 

 

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Learning. It’s Complicated.

I read and follow many educational writers, bloggers and theorists in an attempt to understand how learning works, and, by implication or association, what makes for good teaching and an effective education system. However, not everything about education is to be learned in educational texts. A good example of this is to be found in reading ‘River of Consciousness‘, a collection of essays and the last publication of the English-born neurologist and polymath Oliver Sacks. Here, in the course of a few relatively short pieces, the author of such works as ‘Awakenings‘ and ‘The Man who Mistook His Wife for a Hat‘ takes on evolution, botany, chemistry, medicine, neuroscience and the arts, as he searches for an understanding of the conscious mind and what it is that makes us human. In doing so, he touches on subjects which I see ‘debated’ on eduTwitter on a daily basis. On the importance of Play, for example, especially in young children, he has this to say:

‘All children indulge in play, at once repetitive and imitative and, equally, exploratory and innovative.They are drawn both to the familiar and the unusual – grounding and anchoring themselves in what is known and secure, and exploring what is new and has never been experienced. Children have an elemental hunger for knowledge and understanding, for mental food and stimulation. They do not need to be told or “motivated’ to explore or play, for play, like all creative or proto-creative activities, is deeply pleasurable in itself.’

Which begs the question, if children have an ‘elemental hunger for knowledge’, why do so many children stop engaging with school? I suspect the answer may have something to do with who determines the knowledge which is on the menu, and the extent to which the consumers have a choice. A very important element of play of course is the storytelling element, and Sacks has an observation on that which touches on one of our favourite themes here at The Literacy Adviser:

‘Both the innovative and the imitative impulses come together in pretend play, often using toys or dolls or miniature replicas of real-world objects to act out new scenarios or rehearse and replay old ones. Children are drawn to narrative, not only soliciting and enjoying stories from others, but creating them themselves. Storytelling and mythmaking are primary human activities, a fundamental way of making sense of our world.’

Put very simply, storytelling should be at the heart of any education programme, at all ages and in all subject or topic contexts. And speaking of educational contexts, here is what Sacks has to contribute on the nature of schooling, and the perennial debates about ‘skills v knowledge’ or ‘progression v tradition’ or ‘freedom v structure’:

‘Intelligence, imagination, talent, and creativity will get nowhere without a basis of knowledge and skills, and for this education must be sufficiently structured and focused. But an education too rigid, too formulaic, too lacking in narrative, may kill the once-active, inquisitive mind of a child. Education has to achieve a balance between structure and freedom, and each child’s needs may be extremely variable. Some young minds expand and blossom with good teaching. Other children (including some of the most creative) may be resistant to formal teaching ; they are essentially autodidacts, voracious to learn and explore on their own. Most children will go through many stages in this process, needing more or less structure, more or less freedom at different periods.’

So there you have it. It’s complicated! Schools and education systems have to be flexible enough to accommodate the needs of all learners, which incidentally are not fixed, even within an individual. You begin to see why there is no such thing as a perfect system or a perfect school, and why as long as we have formal schooling, everything within it is a compromise of ideas and ideals.

Next time I will be sharing what Sacks has to say about the nature of memory and conscious thought.